Reviews

Matthew Rankin’s debut feature is a surreal quasi-biopic set in a delicious nightmare world of Canadian politics.

In his debut documentary, Joor Baruah creates a delicate and stylised visual anthropological treat, foregrounding the controversy of dam construction with issues of frontierisation and borderlands.

This multilingual film sheds light on the conflict between various ethnic militant groups and the state armed forces across two decades in India, but finds hope in future generations.

Hsiao Ya-chuan crafts a rewarding, if at times confounding tale of paternal love, politics, and temptation.

Maya Newell’s sublime observational documentary lends an ear to Indigenous youth struggling in the Western school system.

Autumn de Wilde’s Austen adaptation is a female fantasy, and it’s all the more better for it.

Sophie Gibson reflects on the fascinating, frustrating story of time and place hidden in this indie dramedy.

The Kristen Stewart deep-sea disaster movie is a comforting B-movie indulgence.

There’s definitely a story to be told about struggling small businesses relying on charity from billionaires to succeed in an increasingly stratified financial class system, but Like A Boss isn’t interested in telling it.

Tom Hanks gives a miraculous performance as Fred Rogers. Unfortunately, he’s not the main character.

This exposé on the ruthless power dynamics of Fox News has surprisingly little to say about the media corporation itself, let alone its complex real-life protagonists.