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Matilda Alexander

Matilda is an emerging arts critic (and wonders how much longer she can use the term 'emerging'.) She majored in History and Philosophy at the University of Sydney, and has just begun her Masters in Film Media. She can be found tweeting into the void on Twitter: @silkteagown
Melbourne International Film Festival, Reviews

Review: ‘Women Make Film’, and How, In This Epic Documentary Chronicling the Female Gaze

Mark Cousins’ gargantuan series on female directors is captivating and aspirational from every one of its 14 hours.

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Melbourne International Film Festival, Reviews

Review: ‘The Tango of the Widower and Its Distorting Mirror’ is Little More Than A Fragmented Reflection of Former Greatness

Filmed in 1967 and reconstructed in 2020, Matilda Alexander ponders Raúl Ruiz’s Chilean cinépoem, which brims with visionary ambition.

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