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  • To See or Not to See: Looking at ‘A Portrait of the Artist as Filipino’ 
    Features

    To See or Not to See: Looking at ‘A Portrait of the Artist as Filipino’ 

    On the politics and aesthetics of Nick Joaquin’s landmark play, and what its 1965 film adaptation ignores. 

    Gabe Tejada
  • Traces and Outlines: Chantal Akerman’s Fractured Oeuvre
    Features

    Traces and Outlines: Chantal Akerman’s Fractured Oeuvre

    Dylan Rowen
  • Dead Dreams: Netflix’s ‘The Perfect Neighbor’ and the Body Camera Image
    Features

    Dead Dreams: Netflix’s ‘The Perfect Neighbor’ and the Body Camera Image

    Fred Pryce
  • At the Cinémathèque: Faith and Futility in the Golden Age of Mexican Cinema
    At the Cinémathèque, Columns, Emerging Writers’ Festival

    At the Cinémathèque: Faith and Futility in the Golden Age of Mexican Cinema

    Liên Ta
  • At the Cinémathèque: Lino Brocka’s Scenes of Defiance
    At the Cinémathèque, Columns, Features

    At the Cinémathèque: Lino Brocka’s Scenes of Defiance

    Sydney Leoli Reyes

As a publication created and sustained in Australia, we acknowledge the Traditional Owners of this land and that sovereignty has never been ceded. 

Contact us at roughcuteditorial@gmail.com.

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