Reviews

August 24, 2020

Review: Death, Lesbians, and Disappointment in ‘Ellie & Abbie (& Ellie’s Dead Aunt)’

Jamie Tram
August 15, 2020

Review: ‘Corpus Christi’ is a Clear-Eyed Drama about Faith and Fraud

Zoë Almeida Goodall
August 14, 2020

Review: The Adolescent Panic of ‘Shiva Baby’

Claire White
August 12, 2020

Review: Artificial Unintelligence in ‘Coded Bias’

Agnes Forrester
August 12, 2020

Review: The Dread of Waiting in ‘La Llorona’

Zoë Almeida Goodall
August 11, 2020

Melbourne International Film Festival 2020 Shorts Round-Up: Animation

Agnes Forrester
August 10, 2020

Melbourne International Film Festival 2020 Shorts Round-Up: International

Brooke Heinz
August 9, 2020

Review: ‘The Plastic House’ Tends To A Garden of Isolation and Grief

Claire Cao
July 16, 2020

Review: Mortality Confronted in ‘Father to Son’

Zach Karpinellison
June 18, 2020

Review: ‘Descent’ is a Cathartic Deep Dive That Takes Your Breath Away

Zoë Almeida Goodall
June 17, 2020

Review: ‘Rosemary’s Way’ Introduces Audiences to the Australian Hero We Need Right Now

Rough Cut
June 16, 2020

Review: Superstition as Anesthesia in ‘Zana’

Jamie Tram
June 15, 2020

Review: ‘Sea Fever’ is a Moody Deep-Sea Sci-Fi

Agnes Forrester
June 14, 2020

Sydney Film Festival 2020 Shorts Round-Up: Animation

Rough Cut
June 13, 2020

Sydney Film Festival 2020 Shorts Round-Up: Live-Action

Rough Cut
June 12, 2020

Review: ‘The Weather Diaries’ Speaks to Parenting in an Environmental Crisis

Zoë Almeida Goodall
June 11, 2020

Review: ‘A Hundred Years of Happiness’ is a Marriage of Unfulfilled Potential and Slow Storytelling

Brooke Heinz
June 10, 2020

Two Takes on ‘Adela Has Not Had Supper Yet’: A Bizarre Detective Satire

Rough Cut
June 2, 2020

Review: Time Unspools in ‘Over’

Valerie Ng
May 27, 2020

Review: ‘Hope Gap’ is a Forgettable Addition to the Divorce Movie Genre

Claire White