Agnes Forrester

Review: Artificial Unintelligence in ‘Coded Bias’

Shalini Kantayya’s documentary is a methodical look at facial recognition algorithms which avoids being by-the-numbers.

In this year’s impressive Animated Shorts line-up, three films elevate the mundane through style and tone.

Watery characterisation and borrowed genre tropes leave this thriller down among the dead men.

Mirrah Foulkes’ audacious, violent debut puppeteers together tense domestic drama with a cartoonish shock comedy.

Shengze Zhu foregrounds humanism in this pensive internet-age documentary about streaming and voyeurism.