Reviews

August 15, 2024

Review: ‘Motel Destino’ is All Tease, No Climax

Joshua Sorensen
July 19, 2024

Review: ‘Longlegs’ (Mostly) Earns its Hype

Eliza Janssen
July 18, 2024

Review: ‘Birdeater’ is an Empty Thrill Ride

Joshua Sorensen
July 17, 2024

Review Round-Up: Four Highlights from the Inaugural Africa Film Fest Australia

Tiia Kelly
July 13, 2024

Review: ‘MaXXXine’ Trades the Perverse for the Predictable

Indigo Bailey
July 10, 2024

Review: The Familiar Thrum of ‘The Bikeriders’

Kevin Bui
July 5, 2024

Review: ‘Sunflower’ is Too Sentimental an Education

Joel Keith
June 19, 2024

Review: ‘There’s Still Tomorrow’ Finds Warmth and Humour Amid Tragedy

Tiia Kelly
June 17, 2024

Review: ‘Sasquatch Sunset’ Radiates Pure Magic

Ronald Meyer
May 27, 2024

Review: The Slick Expanses of ‘Furiosa: A Mad Max Saga’

Samuel Harris
May 17, 2024

Review: ‘Things Will Be Different’ is a Melodic Documentary about the Importance of Public Housing

Indigo Bailey
May 7, 2024

Review: Spectacle and Simple Pleasure in ‘The Taste of Things’

Oscar Ragg
May 5, 2024

Review: the Piano is the Loneliest Instrument in ‘Ryuichi Sakamoto | Opus’

Xiaole Zhan
May 2, 2024

Review: ‘Mars Express’ is an Animated Noir with its Eye to the Cosmos

Jack Rowland
April 30, 2024

Review: ‘The Fall Guy’ is All Star Power and Practical Stunts

Joshua Sorensen
April 26, 2024

Review: ‘Monisme’ is a Bold yet Bemusing Ethnography Project

Đăng Tùng Bạch
April 16, 2024

Review: In Matteo Garrone’s Epic ‘Io Capitano,’ Myth Melds with Truth

Andrew Tabacco
April 15, 2024

Review: The Lustful Rally of ‘Challengers’

Joseph Earp
April 12, 2024

Review: Alice Rohrwacher’s ‘La Chimera’ is a Sublime Excavation of the Spaces Between

Grace Boschetti
April 11, 2024

Review: ‘Civil War’ Honours Photojournalists But Misses the Big Picture

Ronald Meyer