Features

August 24, 2021

‘The Most Beautiful Boy In The World’ is a Pornography of Suffering

Elroy Rosenberg
May 14, 2021

False Proximity in ‘Window Boy Would Also Like to Have a Submarine’

Valerie Ng
February 12, 2021

I Haven’t Felt This Good in Ages: On Being Sober and Watching ‘Another Round’

Ivana Brehas
December 29, 2020

The Joys of Not Understanding ‘Tenet’

Elroy Rosenberg
December 29, 2020

Alight, alight, alight: On Matthew McConaughey’s ‘Greenlights’

Sam Twyford-Moore
December 24, 2020

Reflection: ‘Happiest Season’

Tina Huang
October 31, 2020

You Tried: Nicole Kidman in ‘The Paperboy’

Eliza Janssen
September 7, 2020

New Cinephilia: The Rise and Rise of A24

Rhea Thomas
August 20, 2020

‘Ema’ and the Explosive Composite of the Dance Film

Claire Cao
August 18, 2020

Lessons in Tenderness from ‘First Cow’

Ivana Brehas
June 29, 2020

You Tried: Uma Thurman in ‘Batman and Robin’

Eliza Janssen
June 18, 2020

Sketch & Study: ‘A Year Full of Drama’

Michelle Wang
June 11, 2020

Fantasy and Loneliness in ‘Tremble All You Want’

Hayley
May 16, 2020

The True Apocalypse Trilogy

Rory Doherty
May 9, 2020

Sketch & Study: ‘Under the Skin’

Michelle Wang
May 8, 2020

Real, From the Heart

Ivana Brehas
April 3, 2020

Sketch & Study: ‘Uncut Gems’

Michelle Wang
March 15, 2020

Cinemascopes: Pisces

Ivana Brehas
February 27, 2020

You Tried: Joaquin Phoenix in ‘Joker’

Eliza Janssen
February 20, 2020

The Cyber-Chaos of ‘0s & 1s’

Samuel Harris