Features – ROUGH CUT

Features

Sketch & Study: Uncut Gems

The last thing you should try to do when watching the Sadfies’ latest film is surface for air.

Features

Corona Kino: How 12 Directors are Probably Going to Respond to COVID-19

Please enjoy our very 2020 David Cronenberg fanfiction xo

Cinemascopes, Features

Cinemascopes: Pisces

A time of heightened sensitivity, mystical intuition, and death.

You Tried

You Tried: Joaquin Phoenix in ‘Joker’

Is it just me, or are things getting crazier out there this awards season?

Features, Hyperlinks Film Festival

The cyber-chaos of ‘0s & 1s’

Eugene Kotlyarenko’s proto-desktop film details life on the precipice of total internet poisoning.

Features, Hyperlinks Film Festival

Stuck Between Presence & Absence: ‘Demonlover’ and ‘Mating’

Two films from Static Vision’s Hyperlinks Film Festival explore the type of connections that flow from relational forcefields both online and IRL.

Cinemascopes

Cinemascopes: Aquarius

Trip out, detach (with intention), and change the world.

Features, Hyperlinks Film Festival

Those Grey Men in ‘Leave the Bus Through the Broken Window’

A winding trip through Hong Kong’s art world digs at the cryptic muddle of art.

Features

‘The Lighthouse’ in Three Parts

Isolation, repression, two bodies, and a lingering stench.

Features

The Unexceptional Hero in ‘A Hidden Life’

Terrence Malick’s latest opus brings to the fore the unconventional heroism of ordinary people.

Features

Tactile Affects in ‘J’ai Perdu Mon Corps’ (‘I Lost My Body’)

After watching Jeremy Clapin’s new film in a Parisian theatre, Lauren Ironmonger reflects on the incorporeal power of touch.

Features

‘Little Women’, ‘Portrait of a Lady on Fire’, and the Significance of Materiality

Indigo Bailey admires Céline Sciamma and Greta Gerwig’s visions of female artistry – of something tangible, intimate, and real.

Features

What Scorsese’s ‘The Irishman’ Tells Us About Film In 2019

Elroy Rosenberg spotlights Scorsese’s creative ambition in the midst of 2019’s slick, focus-group filmmaking.

You Tried

You Tried: Richard E. Grant in ‘Spice World’

Grant’s highly-strung manager nearly turns a 90s cinematic wannabe into girl group gold.

Cinemascopes

Cinemascopes: Capricorn

These glamorous GOATs are already married – to their work.

Features

Star Wars Should’ve Let the Past Die

Madeleine McRae interrogates blockbuster filmmaking through the legacy of Star Wars and reckons with its Disneyfied future.

Features

Let’s Fix ‘Cats’!

Eliza Janssen knows how to make 2019’s biggest critical failure less of a cat-astrophe.

Features

Rough Cut’s Best of the Decade (2010-2019)

To mark the end of the decade, the Rough Cut crew reveal their favourite films of the 2010s.

Features

Pedro Almodóvar and Quentin Tarantino: A Tale of Two Directors

Bina Bhattacharya reflects on two of her favourite directors’ latest films, and finds unlikely parallels between their filmmaking styles.

Features

Yesterday Is Gone: Sondheim in ‘Marriage Story’ and ‘Lady Bird’

The music and lyrics of Stephen Sondheim mean something to both Noah Baumbach and Greta Gerwig – Claire White figures it out.

Cinemascopes

Cinemascopes: Sagittarius

They’re breathtaking, they’re elegant, and they’re everywhere.

Features

Disney Princesses and the Women Who Made Them

Tansy Gardam searches for a fairytale ending in Disney’s first century of female animators and characters.

Features

A Reflection on Pain and Glory

Sophie Gibson ponders Pedro Almodóvar’s latest in a series of gentle and personal reflections.

Cinemascopes

Cinemascopes: Scorpio

It’s the spookiest, sexiest, silliest time of the year.

Features

Why The Boss Still Works

In the past year, Bruce Springsteen’s music has been the subject of four films ― what is it about The Boss that still resonates with audiences today?

Features

Guide to The Great Astor Spooktacular of 2019

From psychosexual body-horror filth to satanic panic frights, Jamie Tram steps through the line-up of Melbourne’s most anticipated Halloween filmgoing event.

Features

Video Essay: Big Duck Richie

A celebration of those times when a guy just comes into your workplace and dances.

Features

Ride Like a Girl is an Affront to Feminism

Rachel Griffiths’ Melbourne Cup biopic ignores the cruelty through which its female protagonist achieves her so-called ‘success’.

Features

Pubic Hair and Other Lies: The Farewell

Amidst the noise of diversity and representation discourse, filmmaker Hyun Lee reflects on why she loved The Farewell.

Cinemascopes

Cinemascopes: Libra

Keep your ego in check, and stand up for your beliefs (if you can decide on them).

Cinemascopes

Cinemascopes: Virgo

Get organised, team up, and listen to your instincts this season.

Features

Video Essay: Hae-Mi Monroe

Ivana Brehas presents a side-by-side comparison of two pivotal dance scenes from Burning (2018) and The Misfits (1961), finding parallels between characters decades and continents apart.

Features, Melbourne International Film Festival

And Then We Danced: A Facebook Chat

Claire White and George Kapaklis reflect on the highlights of a tender, queer love story set in Georgia.

Features, Melbourne International Film Festival

Baby, or The Politics of Performance and Pain

Kai Perrignon challenges the state of political art in the age of cancel culture.

Cinemascopes

Cinemascopes: Leo

The sun is in Leo, so get glowing and dress the part.

Features

Huge Ackman: The Curious Case of Hugh Jackman’s Career

Sam Twyford-Moore delves beneath the shiny surface of one of Australia’s most beloved yet ‘bifurcated’ entertainers.

Features, Melbourne International Film Festival

Melbourne International Film Festival 2019: Top Picks

The Rough Cut team pick out the weird, the compelling, and the essential out of this year’s 375-strong MIFF catalogue.

Features

Scarlett Johansson: A Tree is Born

André and Jack unpack ScarJo’s tree-related acting catalogue, past, present, and future.

Features

Parasite: A Group Chat

Rough Cut contributors, Zach, Michael, and Claire discuss this year’s witty, biting, and wildly unpredictable Palme d’Or winner.

Features, Sydney Film Festival

Populism Projected in The Brink and Reason

Faraaz Rahman examines truth and accountability in two documentaries charting the rise of populism.

Features

Mother Knows Best: I Am Mother, and Searching For Non-Sexualised AI

The AI at the heart of Netflix’s latest sci-fi plunge opens up provoking questions of femininity and motherhood.

Cinemascopes

Cinemascopes: Cancer

Be the Mom and embrace your sensitivity this season.

Features

Merchant of Melodrama: Rainer Werner Fassbinder’s Traumatised Characters

Zach Karpinellison examines the timeless brutality of Rainer Werner Fassbinder’s cinema.

Cinemascopes

Cinemascopes: Gemini

Get weird, embrace your duality, and lighten up this season.

Features, Sydney Film Festival

Sydney Film Festival 2019: Top Picks

The Rough Cut team are here to help you compile the must-sees of the Sydney Film Festival, which have unveiled their biggest program yet.

Features

The LEGO Movie 2 Wants You To Break The Cycle

Samuel Harris tracks back to his own childhood LEGO obsession to untangle the clever commentary that lies beneath the innocuous optimism of The LEGO Movie’s sequel.

Features

This Is It, We’re Finally Leaving Neverland

Matilda Dorman reflects upon the revived abuse allegations against Michael Jackson in 2019’s two-parter documentary, Leaving Neverland — through a personal comparison to the 2009 concert film This Is It.

Features

Thank You For The Music: Coming Of Age in Muriel’s Wedding

P.J Hogan’s 1994 cult classic might just be the most honest Australian coming-of-age film ever made.

Cinemascopes

Cinemascopes: Taurus

Luxuriate in earthly delights, but stay grounded this season.

Features

The Halphabet: 26 Vital Parts of Hal Ashby

Eliza Janssen alphabetises the ‘shaggy humanism’ of Hal Ashby, in light of a release of a documentary on the prolific American director.