Features

October 25, 2024

At the Cinémathèque: The Two Jiřís

Linus Wolfe Tolliday
October 21, 2024

On Being in Love, Lovers, and Having Loved in Luca Guadagnino’s ‘I Am Love’

Guy Webster
September 14, 2024

Performances of Pain, Processes of Healing

Harry Gay
September 11, 2024

The Ghost of Howard Hawks: Dispatches from MIFF 72

Silas Moir
August 27, 2024

‘Janet Planet’ in Four Movements

Tiia Kelly
August 23, 2024

Queer Gestures: The Films of Stephen Cummins

Alex Williams
August 17, 2024

Monstrous Creations: 70 Years of Godzilla

Kevin Bui
August 8, 2024

‘Twisters’: A Love Story in Three Parts

Claire White
August 7, 2024

‘Aggro Dr1ft’ is More Than What Burns the Retina

Linus Wolfe Tolliday
August 2, 2024

How ‘In a Violent Nature’ Made Me Root For a Killer

Eliza Janssen
July 28, 2024

At the Cinémathèque: the Well-Kept Secrets of ‘L’amour fou’

Indigo Bailey
July 17, 2024

Review Round-Up: Four Highlights from the Inaugural Africa Film Fest Australia

Tiia Kelly
July 15, 2024

Actors’ Playground: ‘Kinds of Kindness’ and Yorgos Lanthimos’ Punishing Freedoms

Andrew Fraser
June 14, 2024

Three Highlights from Dogmilk: Collection at St Kilda Film Festival

Indigo Bailey
June 13, 2024

Editors’ Diaries: A Week of Silent Cinema Before Dawn

Rough Cut
May 31, 2024

Canva-ssing the Room: A Letter from Los Angeles and Nicole Kidman’s AFI Life Achievement Award Ceremony

Sam Twyford-Moore
May 15, 2024

Leaving a Light on in ‘Housekeeping for Beginners’

Joanne Zou
May 14, 2024

The Affective Landscapes of ‘I Know Where I’m Going!’

Alex Williams
April 10, 2024

Beyond the Wall: ‘The Zone of Interest,’ Ambient Sound, and the Savagery of Politeness

Will Cox
March 15, 2024

Video: A Dirty Crash

Ivana Brehas