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  July 15, 2024

  Beyond the Frame: A Q&A with Trash Night X Static Vision Programmers Kai Perrignon and Felix Hubble

  Rough Cut

• 

  July 15, 2024

  Actors’ Playground: ‘Kinds of Kindness’ and Yorgos Lanthimos’ Punishing Freedoms

  Andrew Fraser

• 

  July 13, 2024

  Review: ‘MaXXXine’ Trades the Perverse for the Predictable

  Indigo Bailey

• 

  July 10, 2024

  Review: The Familiar Thrum of ‘The Bikeriders’

  Kevin Bui

• 

  July 5, 2024

  Review: ‘Sunflower’ is Too Sentimental an Education

  Joel Keith

• 

  June 28, 2024

  Horror and Hope: An Interview with ‘In the Room Where He Waits’ Director Timothy Despina Marshall

  Grace Boschetti

• 

  June 26, 2024

  “How Do You Film Shame?”: An Interview with Joachim Lafosse and Emmanuelle Devos on ‘A Silence’

  Philippa Hawker

• 

  June 25, 2024

  Beyond the Frame: A Q&A with Melbourne Cinémathèque Co-Curator Eloise Ross

  Rough Cut

• 

  June 19, 2024

  Review: ‘There’s Still Tomorrow’ Finds Warmth and Humour Amid Tragedy

  Tiia Kelly

• 

  June 19, 2024

  By the Sea: An Interview with ‘Life Burns High’ Director Rachel Lane

  Indigo Bailey

• 

  June 17, 2024

  Review: ‘Sasquatch Sunset’ Radiates Pure Magic

  Ronald Meyer

• 

  June 14, 2024

  Three Highlights from Dogmilk: Collection at St Kilda Film Festival

  Indigo Bailey

• 

  June 13, 2024

  Editors’ Diaries: A Week of Silent Cinema Before Dawn

  Rough Cut

• 

  June 10, 2024

  Connective Sparks: An Interview with ‘Rewards for the Tribe’ Director Rhys Graham

  Tiia Kelly

• 

  June 7, 2024

  Celebrity Séance: An Interview with Theda Hammel

  Charles Carrall

• 

  June 6, 2024

  The Ethics of Exposure: An Interview with ‘Subject’ Co-director Jennifer Tiexiera

  Thomas Phillips

• 

  May 31, 2024

  Canva-ssing the Room: A Letter from Los Angeles and Nicole Kidman’s AFI Life Achievement Award Ceremony

  Sam Twyford-Moore

• 

  May 29, 2024

  Fear is a Beautiful Feeling: An Interview with ‘The Beast’ Director Bertrand Bonello

  Philippa Hawker

• 

  May 27, 2024

  Review: The Slick Expanses of ‘Furiosa: A Mad Max Saga’ 

  Samuel Harris

• 

  May 17, 2024

  “Hyper Material For Our Very Brain”: An Interview with ‘Body Melt’ Director Philip Brophy

  Charles Carrall