• 

  December 23, 2024

  Review: Death and Nonsense in ‘The Room Next Door’

  Tiia Kelly

• 

  December 18, 2024

  Todd Haynes’ ‘I’m Not There’ Reinvents the Biopic Myth Machine

  Chelsea Daniel

• 

  December 10, 2024

  At the Cinémathèque: Three Nights with Derek Jarman

  Dylan Rowen

• 

  December 5, 2024

  Circle Jerk: An Interview with Guy Maddin, Evan Johnson and Galen Johnson

  Charles Carrall

• 

  November 20, 2024

  Raining Cats and… Drones?

  Zowie Douglas-Kinghorn

• 

  November 18, 2024

  A Magician’s Cinema: An Interview with ‘Michel Gondry, Do it Yourself’ Director François Nemeta

  Indigo Bailey

• 

  November 7, 2024

  Here and Now: Barbara Creed and Anat Pick Discuss ‘Showing Up’

  Rough Cut

• 

  October 31, 2024

  Tainted Silver and Digital Strings: The Sound of Music in ‘My Darling in Stirling’

  Philip Brophy

• 

  October 31, 2024

  When the Pixels Meet the Flesh: An Interview with ‘Gooners’ Director Nick Murcott and Actor Kai Perrignon

  Đăng Tùng Bạch

• 

  October 28, 2024

  At the Cinémathèque: The Intertextual Cine-Essays of Jeni Thornley

  Grace Boschetti

• 

  October 28, 2024

  Review: The Wobbly Foundations of ‘Trust’

  Joshua Klarica

• 

  October 27, 2024

  Review: The Troubled Reflections of ‘In the Mirror’

  Isabella Gullifer-Laurie

• 

  October 25, 2024

  At the Cinémathèque: The Two Jiřís

  Linus Wolfe Tolliday

• 

  October 22, 2024

  Review: ‘Gloria!’ Sings with Sincerity

  Ruby O’Sullivan-Belfrage

• 

  October 21, 2024

  On Being in Love, Lovers, and Having Loved in Luca Guadagnino’s ‘I Am Love’

  Guy Webster

• 

  October 1, 2024

  Review: ‘The Visitor’ Chokes on its Own Transgressions

  Charles Carrall

• 

  September 27, 2024

  Beyond the Frame: A Q&A with Moviejuice Programmers Shea Gallagher and Daniel Tune

  Rough Cut

• 

  September 26, 2024

  Three Critics on ‘Megalopolis’

  Rough Cut

• 

  September 18, 2024

  A Patient Tempest: An Interview with ‘Some Rain Must Fall’ Director Qiu Yang

  Đăng Tùng Bạch

• 

  September 14, 2024

  Performances of Pain, Processes of Healing

  Harry Gay