Reviews

April 19, 2020

Review: The Active Listening of ‘In My Blood It Runs’

Joshua Sorensen
March 18, 2020

Review: Step Back in Time with ‘La Belle Epoque”s Misplaced Nostalgia Trip

Lauren Ironmonger
February 28, 2020

Review: How ‘The Last Thing He Wanted’ Went Wrong

Zoë Almeida Goodall
February 25, 2020

Review: The Divine Anguish of ‘Saint Maud’

Jamie Tram
February 24, 2020

Review: ‘Suicide Tourist’ is Chillingly Shallow

Rough Cut
February 23, 2020

Review: The Daunting Loneliness of ‘Away’

George Kapaklis
February 21, 2020

Review: ‘S He’ is a blistering commentary on systemic sexism

George Kapaklis
February 21, 2020

Hail ‘Sator’, a Cabin-in-the-Woods Horror Flick Made From One Filmmaker’s Blood, Sweat, and Tears

Jamie Tram
February 19, 2020

Review: Destabilised Representation in ‘Searching Eva’

Jamie Tram
February 19, 2020

Review: ‘L.A. Tea Time’ Soaks up Life like a Sponge

Claire White
February 18, 2020

Review: ‘AIDOL’ is the spawn-point of a new cinematic age, for better or worse

George Kapaklis
February 16, 2020

Review: Travel Deconstructed in ‘Tourism’

Claire Cao
February 13, 2020

Review: The Beautiful World of ‘Emma.’

Claire White
February 12, 2020

Review: Going Downriver with ‘The Peanut Butter Falcon’, a Lyrical Ode to Friendship

Sophie Gibson
January 24, 2020

Review: ‘Underwater’ is a theme park movie par excellence

Samuel Harris
January 23, 2020

Review: ‘Like A Boss’ Accidentally Argues For Its Own Irrelevance

Tansy Gardam
January 19, 2020

Review: The Quiet Wisdom of ‘A Beautiful Day in the Neighbourhood’

Valerie Ng
January 14, 2020

Review: The Blindingly White Feminism of ‘Bombshell’

Jamie Tram
December 19, 2019

Review: Doctor Sleep

Eliza Janssen
December 9, 2019

Review: Seven and a Half

Jamie Tram