Features

February 20, 2020

Stuck Between Presence & Absence: ‘Demonlover’ and ‘Mating’

Rough Cut
February 19, 2020

Cinemascopes: Aquarius

Ivana Brehas
February 17, 2020

Those Grey Men in ‘Leave the Bus Through the Broken Window’

Valerie Ng
February 9, 2020

‘The Lighthouse’ in Three Parts

Claire White
February 5, 2020

The Unexceptional Hero in ‘A Hidden Life’

Alex Langsam
January 31, 2020

Tactile Affects in ‘J’ai Perdu Mon Corps’ (‘I Lost My Body’)

Lauren Ironmonger
January 30, 2020

‘Little Women’, ‘Portrait of a Lady on Fire’, and the Significance of Materiality

Rough Cut
January 22, 2020

What Scorsese’s ‘The Irishman’ Tells Us About Film In 2019

Elroy Rosenberg
January 18, 2020

You Tried: Richard E. Grant in ‘Spice World’

Eliza Janssen
January 13, 2020

Cinemascopes: Capricorn

Ivana Brehas
January 7, 2020

Star Wars Should’ve Let the Past Die

Madeleine McRae
January 1, 2020

Let’s Fix ‘Cats’!

Eliza Janssen
December 30, 2019

Rough Cut’s Best of the Decade (2010-2019)

Rough Cut
December 24, 2019

Pedro Almodóvar and Quentin Tarantino: A Tale of Two Directors

Bina Bhattacharya
December 12, 2019

Yesterday Is Gone: Sondheim in ‘Marriage Story’ and ‘Lady Bird’

Claire White
December 11, 2019

Cinemascopes: Sagittarius

Ivana Brehas
November 27, 2019

Disney Princesses and the Women Who Made Them

Tansy Gardam
November 7, 2019

A Reflection on Pain and Glory

Sophie Gibson
October 23, 2019

Cinemascopes: Scorpio

Ivana Brehas
October 22, 2019

Why The Boss Still Works

Tansy Gardam