Tarantino’s irredeemable characters find themselves in direct incongruity between food and violence.
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Tarantino’s irredeemable characters find themselves in direct incongruity between food and violence.
Read moreIn the first edition of Rough Cut’s new video essay series centering on food in cinema, Tyrie Aspinall pieces together images from Wong Kar-wai’s sensuous filmography.
Read moreA celebration of those times when a guy just comes into your workplace and dances.
Read moreIvana Brehas presents a side-by-side comparison of two pivotal dance scenes from Burning (2018) and The Misfits (1961), finding parallels between characters decades and continents apart.
Read moreEliza Janssen finds an unlikely connection between Alain Resnais’ 1961 arthouse drama and a 70s yacht-rock single.
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