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  • Voices of Restitution: On Mati Diop’s ‘Dahomey’
    May 21, 2025

    Voices of Restitution: On Mati Diop’s ‘Dahomey’

    Mia Palmer-Verevis
  • Connective Sparks: An Interview with ‘Rewards for the Tribe’ Director Rhys Graham
    June 10, 2024

    Connective Sparks: An Interview with ‘Rewards for the Tribe’ Director Rhys Graham

    Tiia Kelly
  • Review: ‘Descent’ is a Cathartic Deep Dive That Takes Your Breath Away
    June 18, 2020

    Review: ‘Descent’ is a Cathartic Deep Dive That Takes Your Breath Away

    Zoë Almeida Goodall
  • Review: ‘Rosemary’s Way’ Introduces Audiences to the Australian Hero We Need Right Now
    June 17, 2020

    Review: ‘Rosemary’s Way’ Introduces Audiences to the Australian Hero We Need Right Now

    Rough Cut
  • Translating Between Two Worlds: An Interview with Nays Baghai
    June 13, 2020

    Translating Between Two Worlds: An Interview with Nays Baghai

    Michelle Wang
  • Getting a Kick Out of It: An Interview with Iron Fists and Kung Fu Kicks’ Veronica Fury
    August 14, 2019

    Getting a Kick Out of It: An Interview with Iron Fists and Kung Fu Kicks’ Veronica Fury

    Hunter Keeble
  • Review: The Grand Bizarre
    August 3, 2019

    Review: The Grand Bizarre

    Kai Perrignon
  • Populism Projected in The Brink and Reason
    July 2, 2019

    Populism Projected in The Brink and Reason

    Faraaz H Rahman
  • Review: Monrovia, Indiana
    May 29, 2019

    Review: Monrovia, Indiana

    Jesue Valle
  • This Is It, We’re Finally Leaving Neverland
    May 1, 2019

    This Is It, We’re Finally Leaving Neverland

    Matilda Dorman
  • The Halphabet: 26 Vital Parts of Hal Ashby
    April 8, 2019

    The Halphabet: 26 Vital Parts of Hal Ashby

    Eliza Janssen

As a publication created and sustained in Australia, we acknowledge the Traditional Owners of this land and that sovereignty has never been ceded. 

Contact us at roughcuteditorial@gmail.com.

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