James Walsh talks to the director of ‘A Hundred Years of Happiness’ about blending in as a documentary filmmaker, and using an observational approach to allow his young Vietnamese female subject to speak for herself.
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James Walsh talks to the director of ‘A Hundred Years of Happiness’ about blending in as a documentary filmmaker, and using an observational approach to allow his young Vietnamese female subject to speak for herself.
Read moreJakeb Anhvu’s observational documentary can feel more like an exercise in aesthetics than the fascinating cultural study it promises.
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