Reviews

October 4, 2025

Review: Hitting Rock Bottom in ‘The Smashing Machine’

Kevin Bui
June 3, 2025

Sabotaging the Archive: ‘A Fidai Film’

Alex Williams
May 27, 2025

On Moviejuice’s Microbudget Revolutions

Indigo Bailey
May 26, 2025

Review: ‘The Final Reckoning’ is an Unwieldy yet Fascinating Star Text

Kevin Bui
May 11, 2025

Review: ‘Salt Along the Tongue’ is a Ripe, Multi-Layered Reckoning

Nicole Cadelina
April 24, 2025

Review: In ‘Warfare,’ Real is Not Real Enough

Finn Dall
March 28, 2025

Review: ‘Oh, Canada’ is Like a Whiskey Nap on a Rocking Chair

Mia Quartermaine
January 31, 2025

Review: Chaos and Renewal in ‘The Brutalist’

Philippa Hawker
January 14, 2025

Review: ‘Black Dog’ is a Beguiling Take on an Age-Old Adage

Nicole Cadelina
December 23, 2024

Review: Death and Nonsense in ‘The Room Next Door’

Tiia Kelly
October 28, 2024

Review: The Wobbly Foundations of ‘Trust’

Joshua Klarica
October 27, 2024

Review: The Troubled Reflections of ‘In the Mirror’

Isabella Gullifer-Laurie
October 22, 2024

Review: ‘Gloria!’ Sings with Sincerity

Ruby O’Sullivan-Belfrage
October 1, 2024

Review: ‘The Visitor’ Chokes on its Own Transgressions

Charles Carrall
September 26, 2024

Three Critics on ‘Megalopolis’

Rough Cut
September 6, 2024

Review: ‘On Becoming a Guinea Fowl’ Boldly Breaks the Silence

Andrew Fraser
September 2, 2024

Review: ‘I Saw the TV Glow’ Questions Whether Fandom Can Save You

Joshua Sorensen
August 26, 2024

Review: ‘Secret Mall Apartment’ is a Testament to Radical Community

Andrew Fraser
August 22, 2024

Review: Abjection, Entropy, and ‘Armand’

Joshua Sorensen
August 21, 2024

Review: ‘All We Imagine as Light’ is a Stunning Tale of Intimacy as Dissent

Virat Nehru